The Contenders
Well the plays have been revisited, the little grey cells put back into action and the oracle consulted. In short and without further ado, Civilian Theatre is proud to present the runners and riders in the inaugural shortlist for The Civil Awards. [Cue much fanfare, fireworks and underhand, dirty trick campaigns].
Bribes, whilst having little effect on the outcome, will still be gratefully received. Your comments and opinions are also welcomed.
Winners will revealed next week following a countdown of the Top 10 plays of 2013.
Best Actor – Male
- James McAvoy Macbeth (Macbeth)
- David Tennant Richard II (Richard II)
- Serge Maggiani Berenger (Rhinoceros)
- Henry Goodman Arturo Ui (The Resistible Rise of Arturo Ui)
- Rory Kinnear Iago (Othello)
Best Actor – Female
- Phoebe Waller-Bridge Marion / Fleabag (Mydidae / Fleabag)
- Harriet Walter Brutus (Julius Caesar)
- Hannah Waddingham Kate (Kiss Me, Kate)
- Neve McIntosh Claire (The Events)
- Ruth Wilson Monologue (The El Train)
Best Supporting Actor
- Kyle Soller Gaveston (Edward II)
- Vanessa Kirby Isabella (Edward II)
- Jonathan Slinger Parolles (All’s Well That Ends Well)
- Ben Whishaw Baby (Mojo)
- William Gaunt Dogsborough (The Resistible Rise of Arturo Ui)
Best Director
- Susan Stroman The Scottsboro Boys
- Katie Mitchell Fraulein Julie
- Jamie Lloyd Macbeth
- Declan Donnellan Ubu Roi
- Gregory Doran Richard II
Theatre / Theatre Company of the Year
- Young Vic
- Barbican Centre
- Trafalgar Transformed
- Harold Pinter Theatre
Surprise of the Year
- The Scottsboro Boys
- The Events
- Hamlet de los Andes
Best thing to happen in theatre in 2013
- The amount of £10 seats for the Michael Grandage season
- Rupert Goold appointed as the next artistic director of the Almeida
- The opening of The Shed
Biggest disappointment of the year
- Not going to see Chimerica
- The general flat direction and conservative productions in the Michael Grandage season
- Ben Whishaw and Judi Dench in Peter and Alice
Worse thing to happen in theatre in 2013
- The growing trend to not allow people to book seats so that there is only one left on its own
- The continuing upward creep of top-end theatre ticket prices
- The cull of theatre critics across the mainstream press