Continuing from where he left off with Gogol’s The Government Inspector, Richard Jones’ production of a Public Enemy at the Young Vic delves deeper into small town communities and how the introduction of an outside force – be it the arrival of a government official or a report of a contaminated water supply – inexorably leads to the exposure of the venality and hypocrisy of those in positions of responsibility, and those who are able to exercise power.
Running at a brisk 100 minutes and dispensing with the interval in order to allow the play to build towards a frenetic and frenzied conclusion, David Harrower’s updated text reworks Ibsen’s Enemy of the People into a 1970’s setting. In this he is aided by a superb set design from Miriam Buether and costumes from Nicky Gillibrand that immediately places the location in a Scandinavia of the 1970s.
Updating Enemy of the People has an advantage of other Ibsen plays in that the central plot device feels as relevant today as when it was written. The tainting of the water supply is something that doesn’t seem so unlikely to a society who has seen the Yangtze River turned the colour of blood and minor earthquakes hit Blackpool following adventures in fracking.
Jones’ Public Enemy reminds us once again of Ibsen’s skill of placing characters in the most exquisite of personal dilemmas – forced into positions that expose their venality and corruption to the world. Each passes under the lens of his microscope, and each ultimately fails to take the action that would potentially redeem them.