Adler and Gibb

Bafflingly brilliant Adler & Gibb presents a conceptual challenge

Adler & Gibb – Royal Court, until 05 July 2014 (tickets)

There is no way, easy or otherwise, to describe Tim Crouch’s latest play, Adler & Gibb, so that it makes sense to the reader. Despite seeing more than 100 plays over the last three years I cannot recall another production that feels so elusive that I am left suggesting that the only way to understand it is to experience it. As a play it is defiantly high-concept, deliberately infuriating and fully aware of the challenge it makes of its audience. Having roundly trashed Mr Burns for pretty much identical reasons it suddenly becomes apparent how fine the margins between success and failure really are.

Denise Gough and Brian Ferguson in Adler and Gibb at the Royal Court, LondonNot only is it difficult to describe, it is hard even to talk about it in a way that doesn’t make it sound like the most appallingly self-indulgent piece of pretentious, beard-stroking metropolitan claptrap. If it sounds to readers that I damning Adler & Gibb with this review then I can only echo Shakespeare’s Mark Anthony eulogy and the dubious claim that he comes ‘[… ] to bury Caesar, not to praise him’.

Tim Crouch does not tend to make plays with easy answers. In Adler & Gibb he has made a play without easy questions. Like a magician he lays subtle clues with one hand – a neat reference to the Maine lion that gives a hint to the identity of the actor – whilst at the same time misdirecting with the other – the changing story behind the napkin.

Yet the crucial factor is that despite arriving at the interval with a general sense of befuddlement and feeling close to displeasure at the opaqueness of the first half, Crouch has still built an atmosphere of trust; that this a play worth persisting with. It has an intangible quality that nags away at the back of the mind that you are on cusp of something quite special, and that if does fail then at least it will fail spectacularly.

To start with a description; Adler & Gibb is about a conceptual artist, her relationship with Gibb, their retreat from the world and what happened after. Or Adler & Gibb is about a student looking for scholarship funding through a study of Adler and Gibb. Or Adler & Gibb is about an actor who used to be a student who is making a film about Adler and Gibb. Or Adler & Gibb is about an actor playing Adler who meets Gibb, who tells us the story of Adler and Gibb. Or it is about different mediums of art, the tones they employ and how it affects the narratives they tell and the stories heard by the audience.  Or it is about all of this and none of this.

To start at the beginning; the play opens with a presentation from a student about Adler and Gibb. She is eager, passionate and delightfully gauche; instantly recognisable as someone who has been inspired but lacks the articulacy and the knowledge to present her views as we might expect. She tells us the story of Adler and Gibb but through it is digressive, fractured and jarringly myopic.

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