Paved with good intentions

Autobahn – The King’s Head Theatre, until  20 September 2014

Filed by our roving reviewer, Emily Howe

Currently running at the Kings Head Theatre in London, Savio(u)r presents the professional UK premiere of Neil LaBute’s Autobahn. Set on the highways of America, this is a series of seven vignettes, each taking place in the front seats of a car. A combination of monologues and duologues, the scenes are unrelated to each other in their narratives and characters, but where they overlap is in their structure. With each, the audience must autobahn 1spend a few minutes detecting what relationship the characters bear to each other and what situation we are intruding on; then as the scene plays out, we see the layers gradually unfold, and slowly realise that – in many of the scenes – the situation is not quite as clear-cut as it may initially have seemed.

Zoe Swenson-Graham, Tom Slatter, Henry Everett and Sharon Maughan in Autobahn, King's Head Theatre - (c) Scott RylanderAll seven scenes were performed by just four actors, so there was a fair amount of multi-roling. This worked very well, and I enjoyed seeing the same faces tackle vastly different characters and styles. In a play of this style – where movement is minimal and the actors are facing out to the audience for the duration of the scenes – the challenge for the actors is that there is nowhere for them to hide, as we can identify every thought-change that crosses their faces. Therefore, the performances, character development, and clarity of sub-text need to be spot-on. All of the actors rose to this challenge and the performances were truthful, engaging, and often darkly funny. Particular mention should go to Zoë Swenson-Graham who shone in each of her four very different characters.

The staging was simple but effective. The front half of a car was the main focus on stage, with a large screen behind showing a film of the varying roads and views where the scenes were taking place. A soundscape during each scene added to the atmosphere.

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