Marion Deprez Is Gorgeous – Mimetic Festival

Marion Deprez Is Gorgeous – Marion Deprez

Showing as part of Mimetic Festival 2014 (17 – 29 November 2014)GORGE1.McHUGH

In reviewing ‘Marion Deprez Is Gorgeous’ there is a rather large elephant in the room. Can one seriously review the show without addressing the matter of the title? It has been written as a preposition rather than a question – which is a bold gesture and leaves no rooms for dissenting opinion – and the result is that Ms Deprez’ act must rest on the implicit assumption that she is, by objective measures, ‘gorgeous’.

GORGE15.McHUGHThe photos that accompany this review mean readers can form their own judgement about Ms Deprez’s looks whilst this reviewer will cloak his opinions behind the very British trait of discretion (which seems entirely appropriate given the extended Gallic riffs that undercut the performance) and look to review the show on its own merits.

The show is an examination of our stereotypical ideas of beauty – we have swans, butterflies and princesses – and how far someone can get on looks rather than talent. The act can appear that it is about to spiral into disaster and we are constantly assured by Ms Deprez that she isn’t actually funny, which – unsurprisingly – doesn’t do much to reassure those in the audience of a comedy show.

This is a high-risk manoeuvre and can lead to an increasingly antagonistic relationship between performer and audience. However it is a seam that has been mined for great riches by comics as varied as Tommy Cooper (Deprez’ acknowledged idol) and Stewart Lee. There is clearly plenty of comic potential to be had from working the unease that people feel when they are not entirely sure whether a show is going off the rails.

However it is important to understand this work in the context of clowning (although I suspect that there is a closer relationship to the Italian buffo and the figures from comic operas than traditional British notions of the clown) and that the comedy derives from pushing against the expectations of the audience

<<Continue to full review>>

 

Mimetic Festival Launch Night

One of the bonuses of being a blogger is the occasional freebie. For the more successful / perky / young dynamos of the modern day vlogging world this may be tickets to the VMAs or a sample from the new Topshop-designer collection. For those of us whose age, as like a tree, can be ascertained by counting the lines carved into our forehead, are already well prepared for hip, scarily precocious twenty-something marketing --RWD13-Where-the-White-Stops-023execs to at best acknowledge our existence with the occasional eye roll, dramatic sigh and mandatory thirty seconds of feigned interest.

Which is why it was a pleasurable surprise to wander down Leak Street (home to some of London’s best graffiti) and into the Vaults; home for the next two weeks to Mimetic Festival 2014. Invited to the launch party and plied (well at least offered) something fizzy in a glass is generally a good way of getting me onside. However they really pushed my buttons by offering a cabaret bar (impressively thrown up in just over 24 hours) that could have spirited out of an art deco museum (or at least out of Poirot’s apartment).

Marion-Deprez-web1-150x150Mimetic Festival is “a celebration of the very best emerging devised, physical and visual theatre, puppetry and cabaret”. Like all the best festivals it is growing year on year, and this time it can claim to be offering up 120 shows from over 50 different countries. If slightly alternative theatre is your thing then Mimetic Festival is somewhere you ought to be over the next two weeks.

Showcased for our entertainment were snippets from the fortnight, and it really did demonstrate the range of acts vying for our attention. From the knowing beautiful clowning of Marion Deprez to the intriguing Greatest Liar in all the World there is something for everyone (even those who think that only way to improve Kate Bush’s Wuthering Heights video would be to recreate it using a highly sexualised puppet).

Civilian Theatre will be reviewing a number of Mimetic Festival productions over the next year and is one of a number of Mimetic Festival Awards Partners. We will be tweeting and posting to the blog throughout, and you can find all of the latest reviews at:  https://civiliantheatre.com/mimetic-festival/

 

Mimetic Festival runs from 17 – 29 November 2014 at the Vaults, Leake Street, SE1 7NN.

For more information about Mimetic Festival: http://www.mimeticfest.com/

Mimetic Festival

Today, Civilian Theatre takes a step back from its usual habit of telling its readers about shows that are halfway through a run and where tickets are harder to locate than snow leopards. Instead I will encourage people who like theatre to check out Finger in the Pie’s Mimetic Festival, which runs Tuesday 18 to Saturday 29 November 2014.

Civilian Theatre’s Five to Watch

  1. The Libertine Has Left The Building – Michael Twaits

(25 – 29 November @ 21:40) (Tickets)

It seems only fair to start with Mimetic Festival’s Bursary Award Winner (decided by public vote), Michael Twaits. Seven years ago he created Confessions of a Dancewhore and has subsequently headlined Soho Theatre. His new show takes on the myth that every cell in the body regenerates in seven years. But does that mean we become a new person or just a second rate version of the same thing? Even better – there’s a video:

 

  1. How a Man Crumbled – Clout Theatre

(18 – 22 November @ 19:00) (Tickets)

Describing the premise of a piece of absurdist physical theatre in words seems to rather miss the point. Still in their own words ‘…Expressionist silent film meets grotesque slapstick in a world where clocks have no hands and a cucumber can kill a man.’ You may recoil at the Noel Fielding-ness of such a statement. However the trailer below suggests dipping into a much richer tradition than The Mighty Boosh ever managed.

 

  1. The Greatest Liar In All The World – Familia de la Noche

(18 – 22 November @ 20:00) (Tickets)

I am basically sold on someone else’s quote on this – ‘what it would be like to stroll through the inside of Tim Burton’s and Terry Gilliam’s minds’. Hmm, yes please. The trailer isn’t half bad too.

 

  1. Marion Deprez Is Gorgeous

(25 – 29 November @ 20:20) (Tickets)

The show promises a huge fan of Tommy Cooper and trained clown who just happens to be trapped in the body of a gorgeous French women. What is not to love? Vive La France!

 

  1. The Boy Who Kicked Pigs – Kill The Beast

(25 – 29 November @ 19:50) (Tickets)

I find invoking such pomp and bombast in your trailer is often the musical equivalent of Godwin’s Law, and you have lost my interest before evening starting. So all credit to Kill the Beast that their stunning visual effects and their clear commitment to proving that Stephen Berkoff isn’t the only person allowed to slap white greasepaint all over themselves. The show looks promising too.

 

Other shows to look at for, and there are many, many more, include Antler’s Where the White Stops (which I had the pleasure of seeing at the BAC before its Edinburgh run in 2013), It’s A Kind of Magic and The Misdemeanours of Saccharine. You can check out the full programme on the Mimetic Festival website.

 

 

About

The Mimetic Festival celebrates the diverse, and occasionally hidden, ends of the theatrical spectrum. No staid Noel Cowards or Shakespeare in Elizabethan dress here. What you’ll get is two weeks of the very best emerging devised, physical and visual theatre, puppetry and cabaret.

Finger in the Pie should also be applauded for recognising that much of the best work takes place on the continent and the Festival is pushing itself to become a hub for emerging european theatre making in the UK.

Civilian Theatre applauds any group that look beyond the ‘precious stone set in the silver sea’ and seeing the wealth of talent for what it is – an opportunity, not a threat.

When

Tuesday 18th – Saturday 29th November 2014

Where

The Vaults, Leake St, London SE1 7NN

 

Civilian Theatre is proud to be an Awards Partner Reviewer for the Mimetic Festival. We will be out and about catching as many shows as possible, alongside fellow Partners: Litro, London City Nights, The Public Reviews, Savage, The Theatre Tourist, Theatrefullstop and View From the Gods. If you see us, come say hello.