Marvellous (wo)men and their flying machines


Upstairs @  Ye Olde Rose & Crown, 01 July 2011

While watching All Star Productions revival of Howard Goodall’s 1986 musicalGirlfriends I was reminded of the sheer vastness of new British writing since the 1960’s. It can seem that there is a play for any occasion; metaphor for the crisis in Serbia? Try Sarah Kane’s Blasted. Verbatim reportage on a racist killing? How about Colour of Justice. Dissident Russian’s that require a full-scale orchestra? Stoppard’s Every Good Boy…should hit the mark.

Given this incredible legacy that exists it’s dispiriting to scan the West End and see endless Musicals based on bands – Thriller / Jersey Boys; films – Legally Blonde / Shrek; or written by Andrew Lloyd Webber Shakespeare – seemingly everything else.  All Star Productions should be congratulated for getting their hands on this little known musical that is written by one of our best known composers and with input from a young Richard Curtis. It may not be a classic but a man who has won an Ivor Novello, a BAFTA and been nominated for an Emmy is more than capable of writing a few catchy tunes. The fact it is a completely original musical comes as a huge relief  and at least a modicum amount of time has been devoted to a plot and characters, which if wafer-thin, is always engaging. Continue Reading Here

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